Donkey milk knowledge archive · Historical source
Alexander Pope (1735): “that mere white Curd of Ass’s milk” as a satirical line
In his “Epistle to Dr. Arbuthnot”, published early in 1735, Alexander Pope mocks the courtier Lord Hervey as a “mere white Curd of Ass’s milk”. The line shows how closely 18th-century England linked donkey milk with pallor, invalid diets and sickly gentlemen.
- Author
- Alexander Pope (1688–1744)
- Work
- An Epistle from Mr. Pope, to Dr. Arbuthnot
- Passage
- p. 21, lines 301–302 of the first London edition (J. Wright for Lawton Gilliver, 1734 [1735]); lines 305–306 in modern editions
- Time & place
- January 1735 (imprint 1734) · London
- Type of source
- Satirical verse epistle
In the original words
What the original says
Let Paris tremble—“What? that Thing of silk, / “Paris, that mere white Curd of Ass’s milk?
Let Paris tremble – “What? that thing of silk, / Paris, that mere white curd of ass’s milk?”
“Satire or Shame alas! can Paris feel? / “Who breaks a Butterfly upon a Wheel?”
“Can Paris, alas, feel satire or shame? / Who breaks a butterfly upon a wheel?”
† Lord H——rv——y.
Footnote to “Paris”: Lord H[e]rv[e]y.
English rendering: our own translation by the DON DONKEY’S editorial team, following the sense of the text.
Background
Who, when, what kind of text
Alexander Pope was the most widely read English poet of his day and a feared satirist. The “Epistle to Dr. Arbuthnot” takes the form of a verse letter to his friend, the physician and writer John Arbuthnot (1667–1735), who died a few weeks after it appeared. In it Pope settles scores with critics and literary opponents and defends his own role as a satirist.
The poem appeared at the beginning of January 1735; the first London edition still bears the year 1734 in its imprint. A reprint followed in Dublin the same year. Its most famous passage is the portrait of a courtier who is called “Paris” in the first edition. In later editions Pope replaced the name with “Sporus”, after the favourite of the emperor Nero.
Content
What the source reports about donkey milk
The attack begins with a mock objection: how could one attack “Paris”, this “Thing of silk”, this “mere white Curd of Ass’s milk”? Donkey milk here stands for something pale, soft and feeble. The jibe only works because readers knew donkey milk as the drink of delicate people in need of careful nursing.
The target is John Hervey (1696–1743), confidant of Queen Caroline and a political opponent of Pope. The Dublin reprint of 1735 decodes the name in a footnote: “Lord H——rv——y”. Commentators usually relate the line to Hervey’s pale appearance and to his strictly regulated diet, which is said to have included donkey milk.
The next line, “Who breaks a Butterfly upon a Wheel?”, itself became an English idiom for a disproportionate attack. Pope answers it by only then unfolding the satire in full.
At a glance
Figures & facts from the source
Fact check
Recorded or just told?
Pope wrote the famous line about “Sporus, that mere white curd of ass’s milk”.
In the first London edition of 1735 the figure is called “Paris”; the name “Sporus” appears only in later versions. The wording about donkey milk is the same in both.
Critical assessment
How reliable is this source?
Source value
The first edition and the Dublin reprint can be checked page by page as digital copies. The identification with Lord Hervey is attested by the contemporary footnote of the reprint; the link to a donkey-milk diet rests on later commentary.
Satire, not a factual text
Pope says nothing about the properties of donkey milk; he uses an image. That the image was understood is the real finding: donkey milk was so familiar in London that it could serve as shorthand for pallor and sickliness.
Today’s assessment
The line is literary evidence of donkey milk’s reputation in the 18th century. It proves neither effects nor quantities consumed and says nothing about donkey milk as a food today.
Our assessment
Hardly any line of verse made donkey milk as famous as this one. For us it shows that donkey milk was common knowledge in 1730s London – so familiar that a poet could sketch an entire character with a single phrase.
References
Sources to check
- Primary sourceFirst London edition 1734 [1735], p. 21, ll. 301–302 (archive.org, microfilm digitisation “Eighteenth Century”)
https://archive.org/details/bim_eighteenth-century_an-epistle-from-mr-pope_pope-alexander_1734/page/n16/mode/1up - Reprint with footnoteDublin reprint by George Faulkner, 1735, p. 15, ll. 294–295, with footnote “Lord H——rv——y” (archive.org)
https://archive.org/details/bim_eighteenth-century_an-epistle-from-mr-pope_pope-alexander_1735/page/n18/mode/1up - Bibliographic recordRecord of the London edition (J. Wright for Lawton Gilliver, 1734 [1735]) in Eighteenth Century Collections Online / Text Creation Partnership
https://quod.lib.umich.edu/e/ecco/004809173.0001.000/19:3
More sources and studies in the research archive. Summarised by the DON DONKEY’S editorial team, as of November 2026.
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